Originally Posted By laphamsquarterly

I used to think that Millard Fillmore was just a funny example of a president no one really cares about … like Chester Arthur, John Tyler, or Martin Van Buren.
But, thanks to Lapham’s Quarterly, one thing I learned today is that Millard Fillmore is a vampire who still walks among us:

While working on the bio for Millard Fillmore for the next issue, we noticed something…uncanny.

I used to think that Millard Fillmore was just a funny example of a president no one really cares about … like Chester Arthur, John Tyler, or Martin Van Buren.

But, thanks to Lapham’s Quarterly, one thing I learned today is that Millard Fillmore is a vampire who still walks among us:

While working on the bio for Millard Fillmore for the next issue, we noticed something…uncanny.

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Originally Posted By nevver


Life 1969, Milton Glaser

Life 1969, Milton Glaser

(Source: nevver, via parislemon)

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Yes, this is what I have in mind … except heroic rather than shifty.
HT: Casey Kettler.

Yes, this is what I have in mind … except heroic rather than shifty.

HT: Casey Kettler.

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Over at Twitter, I’m hard at work on a screenplay. Given how much people like movies about heroes and animals, it’s pretty much guaranteed to make a billion dollars.

If you have good ideas, I’m giving out EP credits.

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Originally Posted By krebstar3000

If you haven’t seen last Sunday’s “Mad Men,” this isn’t going to do a whole lot for you.

But it’s the end of Finals Week so I present this without further commentary.

(Source: krebstar3000, via waitingonoblivion)

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Looper

It’s not often that I have time to sit down and watch a movie. But since my children aren’t sleeping and I have to regularly get up and return them to bed or pat them and make shushing noises, I’ve found myself with some time on my hands at very unusual hours.

As such, I finally got to see “Looper,” a film I’d been pretty excited to see when it was first released. What follows is a brief review that contains spoilers (in case you somehow took longer to see this movie than I did and still hope to see it, which would be surprising).

I’ll begin by saying that I enjoyed the film. I liked the style in which the story was told, I liked the way it looked, and I was just generally entertained by it (especially by the premise). Time travel is a fun idea to consider and making Joseph Gordon-Levitt look a little like Bruce Willis is interesting in itself. It’s noteworthy, too, that Gordon-Levitt keeps choosing roles in films like this one that encourage the viewer to scratch his head, wonder about the events that have just taken place on screen, and ask some questions. I generally think it’s better to finish a movie and have questions than to be told exactly what to think about it.

That said, I’m left with a fairly major question at the end of the film:

Did I just spend two hours watching a movie whose events never happened?

In other words, the narrative centers around Joseph Gordon-Levitt and Bruce Willis. The latter is a future version of the former. Willis returns to his past (Gordon-Levitt’s present) in order to find and kill a child who threatens him and his happiness in the future. However, Gordon-Levitt kills himself in his present time in order to prevent Willis from killing the child’s mother (which would lead to the child growing up to threaten Willis and, thus, a circle of killing and suffering). This causes Willis to simply wink out of existence.

If Gordon-Levitt has killed himself in his present time, then there is no future Gordon-Levitt (played by Willis), which means that Willis could not have traveled back in time to kill the child because he would not exist in the future. But that means that Gordon-Levitt has no need to kill himself because there is no Willis there in Gordon-Levitt’s present, trying to kill the child (and killing the mother in the process, thus creating the circle mentioned above).

So … the movie I watched is an impossibility.

Discuss ….

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Originally Posted By stickyembraces

Witness the potentially life-saving power of political philosophy:

I am rereading Rawls’ A Theory of Justice, which is always a pleasure. I suppose it was never released on Vulcan.

(Source: stickyembraces, via maxistentialist)

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European-Hotel-Room-Ghazi

Over on Twitter a few days ago, Kelsey Atherton suggested that we replace -gate with -ghazi when we talk about scandals from now on … so I’m jumping on that train right now.

Here’s what I have to say about the conservative firestorm surrounding Joe Biden’s European Vacation (which incidentally is a movie that Hollywood should immediately put into production, starring Chevy Chase as Joe Biden; I’ll take an EP credit):

Conservatives went absolutely ballistic that the administration didn’t spend nearly enough money on security for our consulate in Benghazi. Now the exact same people are losing their minds over the astronomical cost of providing security for the vice president while he travels.

Which is it, guys? Should we be willing to spend what it actually costs or shouldn’t we?

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Originally Posted By wilwheaton


From K., who knows what he/she/it is talking about.

That thing where Wil Wheaton posts a message you wrote about Homer’s Iliad vs. the movie “Troy.”
As any of student who took my classical political theory class will tell you, I cannot abide the movie “Troy” and the sadness that fills me every time I realize that some people only know about the Iliad because of this terrible, terrible movie.
In any case, here’s the photo in question.
And, in related news, I cannot recall ever being referred to as “he/she/it” before. I presume this is more common when people have spent time in space.

From K., who knows what he/she/it is talking about.

That thing where Wil Wheaton posts a message you wrote about Homer’s Iliad vs. the movie “Troy.”

As any of student who took my classical political theory class will tell you, I cannot abide the movie “Troy” and the sadness that fills me every time I realize that some people only know about the Iliad because of this terrible, terrible movie.

In any case, here’s the photo in question.

And, in related news, I cannot recall ever being referred to as “he/she/it” before. I presume this is more common when people have spent time in space.

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This week on the Hero Report podcast, we talk about heroism in the Star Wars movies, rage hopelessly against the prequels, and consider the future of heroism in Star Wars movies.

Tell us what you think about this episode, discuss these issues with us on Twitter (Matt Langdon / Ari Kohen), and join us every Friday on Google+ for our live broadcast (where you can chat with us while we’re on the air and contribute to the conversation).

Want to make the podcast portable? Subscribe via iTunes (audio-only).

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Originally Posted By sandandglass

(Source: sandandglass, via brooklynmutt)

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Mall Sandpeople

Mall Sandpeople

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Originally Posted By kateoplis

And that, friends, is an example of a good apology.
It contains three simple things: An understanding of the offense, no excuses offered, and a promise to do better in the future.
(Cross-posted from the Terrible Apologies blog)

And that, friends, is an example of a good apology.

It contains three simple things: An understanding of the offense, no excuses offered, and a promise to do better in the future.

(Cross-posted from the Terrible Apologies blog)

(Source: kateoplis)

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Relevant to my interests:

If you ever watched “Star Wars” and longed to wield a light saber of your own, you’re not alone, young padawan. A San Francisco “Star Wars” fan has created a combat choreography class for the Jedi and Sith weapon.
The class is the brainchild of Alain Bloch, a 32-year-old software engineer with a lifelong love of George Lucas’ epic space opera.

Also, the best thing about the whole story is that there’s only one comment on it and that comment is, “’Lightsaber’ is one word.”

Relevant to my interests:

If you ever watched “Star Wars” and longed to wield a light saber of your own, you’re not alone, young padawan. A San Francisco “Star Wars” fan has created a combat choreography class for the Jedi and Sith weapon.

The class is the brainchild of Alain Bloch, a 32-year-old software engineer with a lifelong love of George Lucas’ epic space opera.

Also, the best thing about the whole story is that there’s only one comment on it and that comment is, “’Lightsaber’ is one word.”

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Originally Posted By fiftyshadesoftheresamay

Basically, Tarantino is ten steps ahead of you at all times.

(via parislemon)

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