The solution to the mystery of Žižek’s popularity, then, lies in his unabashed absurdity. Unlike most professional intellectuals, Žižek isn’t afraid to make no sense. On the contrary, the 63-year-old theorist embraces his inanity, routinely making statements so ridiculous that it’s hard to tell if he actually believes them.
He’s denounced ecology as the opiate of the masses, argued that various sorts of toilets insidiously re-enforce capitalist norms (“but as soon as you flush the toilet, you’re right in the middle of ideology!”), and identified “nature in decay, like rotten trees” as his favorite smell. A professed Marxist, Žižek authored the text of a 2003 Abercrombie & Fitch catalog, which ends with the profound words, “Sh—, why not have a cake and eat it too? You can have critical theory and nudity and enjoy it!”
[…]
In a discipline that takes itself unforgivably seriously, Žižek is a much-needed breath of self-deprecation. If ever we lose ourselves in our philosophical musings, Žižek is there to show us the way out of the academy once again — to provide us with a much-needed reminder that we are above all absurd.

Implicit in this piece, appropriately titled ”Why we slober over Slavoj Žižek: Or, how to be incomprehensible and relevant at the same time,” is the idea that people enjoy Žižek because he makes them feel better about not knowing things.
In other words, because the world of academic philosophy takes itself so seriously and seems so introspective, it’s good to have Žižek around to make us laugh at philosophy and introspection. Whenever we get worried that we don’t “get it,” he stumbles in and suggests that there’s nothing really there to “get.”
HT: Zack Beauchamp.

The solution to the mystery of Žižek’s popularity, then, lies in his unabashed absurdity. Unlike most professional intellectuals, Žižek isn’t afraid to make no sense. On the contrary, the 63-year-old theorist embraces his inanity, routinely making statements so ridiculous that it’s hard to tell if he actually believes them.

He’s denounced ecology as the opiate of the masses, argued that various sorts of toilets insidiously re-enforce capitalist norms (“but as soon as you flush the toilet, you’re right in the middle of ideology!”), and identified “nature in decay, like rotten trees” as his favorite smell. A professed Marxist, Žižek authored the text of a 2003 Abercrombie & Fitch catalog, which ends with the profound words, “Sh—, why not have a cake and eat it too? You can have critical theory and nudity and enjoy it!”

[…]

In a discipline that takes itself unforgivably seriously, Žižek is a much-needed breath of self-deprecation. If ever we lose ourselves in our philosophical musings, Žižek is there to show us the way out of the academy once again — to provide us with a much-needed reminder that we are above all absurd.

Implicit in this piece, appropriately titled ”Why we slober over Slavoj Žižek: Or, how to be incomprehensible and relevant at the same time,” is the idea that people enjoy Žižek because he makes them feel better about not knowing things.

In other words, because the world of academic philosophy takes itself so seriously and seems so introspective, it’s good to have Žižek around to make us laugh at philosophy and introspection. Whenever we get worried that we don’t “get it,” he stumbles in and suggests that there’s nothing really there to “get.”

HT: Zack Beauchamp.

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Originally Posted By immolator

“You have this man, Triple H, who says ‘it is time to play the game’. But this is no game, my God, this is pure ideology.”

This is just one of many imagined pronouncements on the WWE from a fantastic blog post entitled slavoj zizek on wrestling.

The tone of the quotes is exactly right, which makes the whole thing hilarious. I would probably find the whole thing exponentially funnier if I knew half of the wrestling references. Sadly, though, I haven’t watched professional wrestling since long before the WWF became the WWE …

HT: Luis Villa.

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Originally Posted By seabedz

The jokes about dialectics pretty much write themselves. Here’s a sample:
lilpal666:



wow. further proof that obama is trying to force the usa into embracing hegelian dialectics.


compassionate-caudillismo:

Don’t worry I’m sure the opposition will be sublimated into some greater Defense synthesis. 


thenoobyorker:

Which one of you let President Obama borrow your copy of Elements of the Philosophy of Right? It’s all starting to make some sense.

For my own part, I wonder when we’ll hear from Slavoj Žižek about whether or not Hegel is a good choice for Secretary of Defense; if I had to guess today, I’d say Žižek will side with the GOP and oppose Hegel … just as a goof.

The jokes about dialectics pretty much write themselves. Here’s a sample:

lilpal666:

wow. further proof that obama is trying to force the usa into embracing hegelian dialectics.

compassionate-caudillismo:

Don’t worry I’m sure the opposition will be sublimated into some greater Defense synthesis. 

thenoobyorker:

Which one of you let President Obama borrow your copy of Elements of the Philosophy of Right? It’s all starting to make some sense.

For my own part, I wonder when we’ll hear from Slavoj Žižek about whether or not Hegel is a good choice for Secretary of Defense; if I had to guess today, I’d say Žižek will side with the GOP and oppose Hegel … just as a goof.

(Source: seabedz)

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The Top 10 Posts of 2012

In the last couple of days of 2012, by way of reflection on a successful year of blogging, I’ll be linking to my Top 10 posts of the year.

These are the posts that drew the most unique eyeballs; the list doesn’t include the About page, where several thousand people each year go to find out whose writing they’re reading, the Ask page, where people write in with questions or to say kind and unkind things to me, or the front page, which is always the top draw since it’s the way that people access the site directly (rather than via some referring site). This year, Page 2 also drew enough viewers to crack the Top 10 but I haven’t included it below (as its content is always changing).

Perhaps you missed some of these posts. Or maybe you just want to have another look since it’s been a little while. Feel free, of course, to share them with friends and loved ones because each click tells me that you’d like for me to keep writing these sorts of things.

Here, then, are the 6th-10th most viewed posts of 2012:

#10. “The biblical view that’s younger than the Happy Meal,” quoting Fred Clark about the evolving nature of evangelical Christianity’s view of when human life begins (2/19/12)

#9. “Whatever Happened to #Occupy?“ (1/4/12)

#8. My colleague, the skateboarding professor, becomes an internet meme (4/6/12)

#7. The funniest email related to the hurricane that ultimately cancelled the American Political Science Association annual meeting (8/28/12)

#6. Žižek the Authoritarian, in which I make the case that Slavoj Žižek not only writes about the virtues of authoritarianism but has an authoritarian personality to boot (5/8/12)

See you here tomorrow for the Top 5!

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What are the chances that Slavoj Žižek is even now, this very minute, changing his mind about what it means for us, culturally, to enjoy the music of Psy?


Before he was elevated to international superstardom this year thanks to the magic of his invisible horse dance, Psy was a rapper and music producer in his native South Korea with a bad-boy reputation. In the late ’90s he dropped out of Boston University and the Berklee School of Music without earning degrees, was fined for his first album in 2001 for using “inappropriate lyrics,” and in 2007 he came under investigation for shirking mandatory military duty in South Korea. Now there’s another indiscretion to add to the “Gangnam Style” star’s rap sheet: Psy is coming under fire for a pair of shocking anti-American performances he gave a decade ago.

What are the chances that Slavoj Žižek is even now, this very minute, changing his mind about what it means for us, culturally, to enjoy the music of Psy?

Before he was elevated to international superstardom this year thanks to the magic of his invisible horse dance, Psy was a rapper and music producer in his native South Korea with a bad-boy reputation. In the late ’90s he dropped out of Boston University and the Berklee School of Music without earning degrees, was fined for his first album in 2001 for using “inappropriate lyrics,” and in 2007 he came under investigation for shirking mandatory military duty in South Korea. Now there’s another indiscretion to add to the “Gangnam Style” star’s rap sheet: Psy is coming under fire for a pair of shocking anti-American performances he gave a decade ago.

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Originally Posted By keshek

Well, I officially have a new favorite Tumblr blog: It’s keshek, which mashes up quotes from Slavoj Žižek with pictures of Ke$ha … or vice versa:

Brilliance like this is rare, my friends. When you find it, you’d best pay attention.
HT: Tim Carmody.

Well, I officially have a new favorite Tumblr blog: It’s keshek, which mashes up quotes from Slavoj Žižek with pictures of Ke$ha … or vice versa:

Brilliance like this is rare, my friends. When you find it, you’d best pay attention.

HT: Tim Carmody.

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Earlier today, I was doing really well in keeping my vow of not mentioning Slavoj Žižek until next Halloween. I even resisted the temptation to write anything about his grand theory of what it means that the ground floor of a building in the United States is the first floor, which my friend Lane Crothers recommended to me on Facebook and which I’d ignored when I saw it yesterday.

But then Adam Elkus tweeted a link to this clip to me and I found that I lack the self-control to actually keep quiet about Žižek for more than a couple of weeks.

In this clip from a recent lecture, Žižek waxes philosophical about the “Gangnam Style” song and dance crazy that has swept the globe over the past couple of months. His claim is that the song — by Korean rapper Psy — is extremely vulgar and chauvinistic, and also that the craze has become “quasi-sacred” in the way of early Beatles concerts.

But, alas, Žižek has apparently failed to do even a cursory Google search to learn anything about the song he’s decided to viciously dissect in his lecture; instead, he curses out Koreans for their stupidity in enjoying the song, which is actually a pretty interesting social commentary of the sort that Žižek might actually find compelling if he knew what he was listening to:

Gangnam is a tony Seoul neighborhood, and Park’s “Gangnam Style” video lampoons its self-importance and ostentatious wealth, with Psy playing a clownish caricature of a Gangnam man. That alone makes it practically operatic compared to most K-Pop. But I spoke with two regular observers of Korean culture to find out what I was missing, and it turns out that the video is rich with subtle references that, along with the song itself, suggest a subtext with a surprisingly subversive message about class and wealth in contemporary South Korean society. That message would be awfully mild by American standards — this is no “Born in the U.S.A.” — but South Korea is a very different place, and it’s a big deal that even this gentle social satire is breaking records on Korean pop charts long dominated by cotton candy.

Listen to the 2:30 from Žižek, then go read Max Fisher’s entire piece at the Atlantic from back in August that dissects the message behind “Gangnam Style” … and then tell me whether you think anyone should ever listen to Žižek about pop culture again.

But let’s go one step farther:

What if there isn’t any intentional message behing “Gangnam Style”? In other words, what happens if Psy just wanted to make a song about partying and record a video in which he looks ridiculous? In order for Žižek’s point about the vacuousness and vulgarity of this pop music to make sense, he would need to find a way to demonstrate that the only reason millions of people care about the song is because of the message that he is here denouncing … and not because they have found compelling some other possible interpretation (such as the one articulated above).

My original point, I think, will hold in either case. Žižek ought to be someone who embraces the notion of multiple interpretations of a momentary international sensation like “Gangnam Style” but instead he only to want to take it at face value in order to denounce anyone who enjoys it (for whatever reason).

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Originally Posted By kohenari

Mark it down: This is my Halloween costume for next year. I’m going to start working on the beard tomorrow. If you have ideas about where to find his fantastic “Istanbul” t-shirt, please do let me know.

This is the actual jacket cover of Slavoj Žižek’s book, The Year of Dreaming Dangerously, or as my friend Dave Nelson wrote when he passed it along to me earlier this week, The Year of Being Clumsily Photoshopped into Pics of Kids Rioting.

Mark it down: This is my Halloween costume for next year. I’m going to start working on the beard tomorrow. If you have ideas about where to find his fantastic “Istanbul” t-shirt, please do let me know.

This is the actual jacket cover of Slavoj Žižek’s book, The Year of Dreaming Dangerously, or as my friend Dave Nelson wrote when he passed it along to me earlier this week, The Year of Being Clumsily Photoshopped into Pics of Kids Rioting.

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“One does not simply walk into Mordor.”
[source]

“One does not simply walk into Mordor.”

[source]

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This is the actual jacket cover of Slavoj Žižek’s book, The Year of Dreaming Dangerously, or as my friend Dave Nelson wrote when he passed it along to me earlier this week, The Year of Being Clumsily Photoshopped into Pics of Kids Rioting.
Good grief.

This is the actual jacket cover of Slavoj Žižek’s book, The Year of Dreaming Dangerously, or as my friend Dave Nelson wrote when he passed it along to me earlier this week, The Year of Being Clumsily Photoshopped into Pics of Kids Rioting.

Good grief.

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Originally Posted By thenoobyorker

Given the storm of controversy surrounding comedian Daniel Tosh’s joke about rape, my friend Luis Villa points out that it’s not only comedians who think jokes of this sort are acceptable:

Trigger Warning:
A rape joke from everyone’s “favorite” Slovenian, Slavoj Žižek. [image via]
You can also watch Žižek tell the joke to a cheering crowd at Marxism 2009 (in a debate for the topic “What does it mean to be a revolutionary today?”) and then attempt to explain why he used a rape joke to make fun of progressives. 
To this I say, surely there must be a better way.

Tosh’s Twitter apology took the same form as Žižek’s defense of his decision to repeatedly tell a joke about rape: “the point i was making before i was heckled is there are awful things in the world but you can still make jokes about them. #deadbabies”
Tosh is attempting to excuse himself based on his profession: Comedians are supposed to make jokes about everything. If things are off limits, the best comedians will go out of their way to joke about those things. If you don’t appreciate this fact, or if you’re someone who’s likely to be offended by every little thing, then maybe you shouldn’t go to a comedy club. Maybe some people will find this a compelling defense; I personally do not.
Now Žižek isn’t a comedian — no matter how often I call him a philosopher-clown — and so he tries to make a sort of political and psychological point: Making jokes about the most awful things that happen to people, he claims, helps those people. You can find this claim by Žižek after the 3:00 mark in the YouTube video to which Villa links above.
This, of course, is a claim that can be adjudicated, as evidence could be marshalled to test whether or not Žižek is right about the healing power of laughter. But this is something that Žižek almost certainly isn’t interested in doing; he decided to publish the joke and then to tell it (to wild applause) because he knows a few people who have survived terrible violence and who think the way he does about rape jokes.
But I too know a few people. And they are not amused, nor are they assisted in healing from trauma, by listening to jokes involving rape. But this isn’t just about the people I know or that Žižek knows. Indeed, if we take the temperature of the internet this week, I think the evidence is damning: Žižek is wrong about the healing power of these jokes and Tosh is wrong that a few people just don’t “get” comedy. Over and over and over again, women — a great many of them rape survivors — have come forward to say not only that jokes involving rape aren’t funny but that they cause fresh emotional damage to rape survivors.
On this question, those are the people to whom I think I’ll listen … not professional jokers like Tosh and Žižek.

Given the storm of controversy surrounding comedian Daniel Tosh’s joke about rape, my friend Luis Villa points out that it’s not only comedians who think jokes of this sort are acceptable:

Trigger Warning:

A rape joke from everyone’s “favorite” Slovenian, Slavoj Žižek. [image via]

You can also watch Žižek tell the joke to a cheering crowd at Marxism 2009 (in a debate for the topic “What does it mean to be a revolutionary today?”) and then attempt to explain why he used a rape joke to make fun of progressives.

To this I say, surely there must be a better way.

Tosh’s Twitter apology took the same form as Žižek’s defense of his decision to repeatedly tell a joke about rape: “the point i was making before i was heckled is there are awful things in the world but you can still make jokes about them. #deadbabies”

Tosh is attempting to excuse himself based on his profession: Comedians are supposed to make jokes about everything. If things are off limits, the best comedians will go out of their way to joke about those things. If you don’t appreciate this fact, or if you’re someone who’s likely to be offended by every little thing, then maybe you shouldn’t go to a comedy club. Maybe some people will find this a compelling defense; I personally do not.

Now Žižek isn’t a comedian — no matter how often I call him a philosopher-clown — and so he tries to make a sort of political and psychological point: Making jokes about the most awful things that happen to people, he claims, helps those people. You can find this claim by Žižek after the 3:00 mark in the YouTube video to which Villa links above.

This, of course, is a claim that can be adjudicated, as evidence could be marshalled to test whether or not Žižek is right about the healing power of laughter. But this is something that Žižek almost certainly isn’t interested in doing; he decided to publish the joke and then to tell it (to wild applause) because he knows a few people who have survived terrible violence and who think the way he does about rape jokes.

But I too know a few people. And they are not amused, nor are they assisted in healing from trauma, by listening to jokes involving rape. But this isn’t just about the people I know or that Žižek knows. Indeed, if we take the temperature of the internet this week, I think the evidence is damning: Žižek is wrong about the healing power of these jokes and Tosh is wrong that a few people just don’t “get” comedy. Over and over and over again, women — a great many of them rape survivors — have come forward to say not only that jokes involving rape aren’t funny but that they cause fresh emotional damage to rape survivors.

On this question, those are the people to whom I think I’ll listen … not professional jokers like Tosh and Žižek.

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In the spirit of this week’s Higgs boson news, I give you this delightful analysis of love and quantum physics from global intellectual superstar Slavoj Žižek.

HT: Tim Carmody.

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